2010




HVW-437

Cats: Experimental & Ambiant
Mots-clefs :, , , , ,

mar - 04 mai 2010 - 10:13

In the begining was la Folia. Then Haendel came around, made it a sarabande for hapsichord. Then Kubrick used an orchestrated version of it in Barry Lindon. And now I am playing around with my synths.

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Solid vapors of cosmos

Cats: Experimental & Ambiant, Listening
Mots-clefs :, , ,

jeu - 22 avr 2010 - 03:02

This came up as a mashup of several parallel projects.

This track uses « clear angle » & « exhale », by seek to track zero, released under creative commons license, free for non commercial use. You may re-use it for non commercial use, under the same license.

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A few plugins…

Cats: Behind the synths
Mots-clefs :, , ,

mer - 21 avr 2010 - 05:01

OK, had a few question concerning the types of plugins I used. So, there you are, a bunch of free / cheap VSTs I use :

- Reaper‘s plugins. Reacomp, ReaEQ… can be downloaded as a separate VST pack from their website. Easy to use and extremely configurable.

- Atlantis VST: semi-modular synth with a cool interface (just get the interface pack). Great for basses, pads & effects

- DSK asianZ and indian Dreams. Cool sounds.

- moonoi.tk’s binaural simulator VST.  When panning isn’t enough.

- isotope vinyl. When you need the scratchy feel

- TC Electronic’s Fabrik R. hum… the VST I use most is actually just a controller for a hardware reverb. Still, great reverb, I’ll leave it here. And no, I don’t have any other recommendation for reverbs, this is the best I found so far, and it is so far ahead I barely use anything else as overall reverbs.

- Camelcrusher. Sounds very bad. I mean it is a terrible distortion simulation. Unless you stop considering it as an analogue simulation (just go and buy yourself a real lamp disto, am quite happy with my ElectroHarmonix) and consider it as digital grit. Yup. just when you need that harsh digital grit…. there it is.

I know I do not use that many VSTs on a regular basis.. but then I also make extensive use of Reason for digital sound generation. And when needing more powerful effects, I go back to my hardware with all its noises, internal non-linearities, and all the lofi that makes overall great sound.

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Lights of the eclipse

Cats: Listening
Mots-clefs :, ,

mer - 14 avr 2010 - 10:46

Quick track, made in an hour or so. The piano might be a bit loud.

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Flying Dugongidae flocking in rainsforests

Cats: Listening
Mots-clefs :, ,

lun - 29 mar 2010 - 04:00

The title says it all. And Dugongidae are cute. I am sure they would gather in a cave and groove with a pict, had they been furry. Uncompressed version (turn the volume knob up):

Picture by Tropenmuseum of the Royal Tropical Institute (KIT)

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Playmo feet

Cats: Listening
Mots-clefs :, ,

lun - 29 mar 2010 - 11:19

Tribute to Autechre’s debut album. Picture by Reso303.

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Pump up the Valium

Cats: Bakka
Mots-clefs :, , , , , ,

mer - 03 mar 2010 - 06:27

HAHA ! – Special dedicace… :P

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Silent Horn

Cats: Listening
Mots-clefs :, , , ,

jeu - 25 fév 2010 - 05:56

Cool & relaxed atmosphere on this one. Enjoy!

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A basement above clouds

Cats: Listening
Mots-clefs :, , , , , ,

ven - 05 fév 2010 - 05:50

A reggae/dub inspired track, a little chill-out offered by Document 02.

Final glitchy percussion is a reverb-based experiment, lost in some weird cabling. I’ll take some time late on to put it in a clean file and post it in the patches section.

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Quick Acousmonium emulation in Propellerhead Reason

Cats: Behind the synths
Mots-clefs :, ,

mer - 27 jan 2010 - 12:22

Quick and dirty series of effects inspired by an acousmonium, used in the album « Spirit of Technocoumatics ». (clik on picture above to download).

FX is used several times throughout the album, but a quick overview can be heard around 3’37 on Technocousmatic 1

The combi knobs & buttons are not used, you need to open it up to have access to a mixer, each channel representing one « position », defined by reverb & panning.

  • FX1 is a simply playing around with pan & reverbs.
  • FX2 has additional delays included.
  • For those who want to take it a step further, FX3 is doubled between an FX2 function, and an FX « damaged speaker » function. (feel free to play around with the distos though, FX3 was quickly put together and never really used)

I wouldn’t suggest to use these as spatial positioning tools, but rather as spatialisation tools, making the sound move around as it is being played.

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